A24 has once again proven it’s not just a studio—it’s a cinematic movement. As the indie powerhouse continues to redefine genre boundaries and audience expectations, three of its most buzzworthy 2024/2025 releases are heading to streaming, including the wildly imaginative Death of a Unicorn starring Jenna Ortega and Paul Rudd.
Thanks to a multi-year distribution deal between A24 and HBO, Max has officially become the streaming stable for many of the studio’s most provocative and unconventional offerings. Now joining the ranks of Everything Everywhere All at Once and The Zone of Interest are three new titles: Death of a Unicorn, Opus, and On Becoming a Guinea Fowl. Each film has its own distinct flavor, but it’s Death of a Unicorn that’s capturing the most attention—and for good reason.
A Horned Horror Comedy With Bite
Directed by Alex Scharfman, Death of a Unicorn gallops into surreal horror-comedy territory with gory grace. The plot? Absurd, dark, and deliciously A24! Jenna Ortega plays Ridley, a sharp-witted teenager whose father Elliot played by Paul Rudd, accidentally hits a unicorn on the way to his boss’s house. From there, things spiral into corporate greed, mythical exploitation, and a twisted tug-of-war over the unicorn’s corpse—led by Will Poulter as the delightfully devious antagonist Shepard Leopold. The film premiered on March 28th and has since developed a cult following, especially among fans of Ortega’s genre versatility and Rudd’s signature charm-meets-chaos energy.
Though critics were divided, audiences responded with enthusiasm, praising the film’s tonal tightrope walk between magical realism and satirical horror. For those who missed its theatrical run, Max is about to become the most magical place to stream.
From Opus To Guinea Fowl: More A24 Gems Incoming
Alongside Unicorn, Opus and On Becoming a Guinea Fowl are also scheduled to arrive on Max. Opus, which hit theaters March 14th, underperformed in terms of critical reception, but curiosity around its philosophical core still makes it a must-stream for completionists and cinephiles alike.
Meanwhile, On Becoming a Guinea Fowl, released March 7th, has garnered both critical acclaim and a devoted fanbase. Its nuanced exploration of identity, legacy, and generational trauma found resonance, though its limited release kept it off many moviegoers’ radars. Its debut on Max is set to give the film the broader audience it deserves.
Streaming Strategy Meets Storytelling Savvy
A24’s commitment to creative freedom continues to distinguish it from other indie studios—and now, with Max as its primary streaming home, fans no longer have to worry about where to find the studio’s latest work. The cadence is clear: about four months post-theatrical release, titles like Death of a Unicorn are landing on Max, offering a reliable rhythm for fans who prefer their cult classics from the couch.
The upcoming additions also pave the way for even more excitement—Materialists, the forthcoming romantic comedy starring Dakota Johnson, Chris Evans, and Pedro Pascal, is already positioned to be another genre-bending delight, and will likely follow suit with a Max debut.
From unicorn roadkill to existential rodents, A24 continues to make movies that stick with you. Whether you catch them on the big screen or your living room screen. With Death of a Unicorn leading the charge, the studio’s latest batch of films offers exactly what A24 does best: bold visions, offbeat storytelling, and performances that linger long after the credits roll. Get ready to stream. The unicorn isn’t the only thing you won’t see coming.
